There are a variety of fine art papers in the market. Our philosophy requires us to use only the purest FineArt paper, pH neutral or slightly alkaline, 100% cotton or 100% alpha celullose, which provide the maximum stay.

The following list shows those who are part of our core stock, but for additional charge (for profiling and adjustments), we can adapt to individual needs of our customers.

Hahnemühle Photo Rag
Hahnemühle Photo Rag is a 100% rag, smooth, bright white, acid free paper, designed for photographic reproduction. It is a paper with an excellent saturation and D-max.

Hahnemühle Photo Rag Ultra Smooth
Hahnemühle Photo Rag is a 100% rag, smooth, bright white, acid free paper, designed for photographic reproduction. It is a paper with an excellent saturation and D-max.

Hahnemühle Photo Rag Bright White
Hahnemühle Photo Rag is a 100% rag, smooth, bright white, acid free paper, designed for photographic reproduction. It is a paper with an excellent saturation and D-max.

Hahnemühle William Turner
Hahnemühle William Turner is a 100% rag, textured, natural white, acid free paper, designed for fine art reproduction. It is a paper with an excellent saturation and D-max.

Hahnemühle German Etching
Hahnemühle Museum Etching is an extraordinary 350gm2, 100% rag with smooth texture, natural white, acid free, designed for fine art reproduction. It is a paper with an excellent saturation and D-max.

HARMAN by Hahnemühle FB Baryta GlossA true Baryta paper which has been refined for the requirements of the Fine Art inkjet prints. Its multi-layer coating makes for a particularly smooth and glossy surface.
320 gsm, 100% alpha-cellulose, white, glossy.

HARMAN by Hahnemühle FB Baryta Gloss Warmtone
Structured like Gloss Baryta but with a warmer tone.
320 gsm, 100% alpha-cellulose, white, glossy

HARMAN by Hahnemühle Art Fibre Gloss
This paper made of pure pulp captivates with its fine gloss and light structure.
300 gsm, 100% alpha-cellulose, white, glossy.

HARMAN by Hahnemühle Art Fibre Gloss Warmtone
Structured like Gloss Baryta but with a warmer tone.
300 gsm, 100% alpha-cellulose, white, glossy.

TANGO RC Lustre 290g
A microporous, resin coated photo papers with 
lustre surface, acid free. Designed for high quality print-outs on small format and large format printers, like photography, posters, signage etc.

Somerset Enhaced Velvet
Somerset Enhanced is a 100% rag, velvet textured, radiant white, acid free paper, designed for professional fine art reproduction. It has a good saturation and D-max.

Somerset Photo
Somerset Photo is a 100% rag, smooth satin textured, bright white, acid free paper, designed for professional fine art photography. It has a good saturation and D-max.

HARMAN by Hahnemühle Canvas
A white blended-fabric canvas featuring an extremely finely woven structure. Ideal for prints on stretcher frames.
450 gsm, poly-cotton, white

Awagami Shiramine postcard 
Shiramine postcardis faithfully made one by one with Awagami artisans by using ‘Tamezuki’ method. It is made as thick as possible to be able to use with any inkjet printers, and the deckled edges will give an art work the extra touch comparing any other printing papers. It is most suitable for the prints of art and photographic works to carry around as easy-portfolios.

Awagami Kozo
Kozo is the main fiber used for Japanese washi and makes for extremely durable papers. Recommended to use for photographic prints and art works. 

Bojan Radovič / Bitterns Boom / 1982

Matija Brumen